Reynders’ artistic practice is defined by research into the key concepts necessary for imagining a sustainable transition. Working across analogue and digital techniques, she explores the intersections of printmaking and photography.

Her current research explores how natural organic and mineral pigments can be turned into inks suitable for the intaglio printmaking process of Polymer Photogravure. This project aims to create sustainable, archival full-colour photographic prints using the very materials found freely in the physical world depicted in the prints.